Stories, Press
海角社区, a leading British commercial gallery representing artists such as living legend Bob Dylan, British painter Mitch Grif铿乼hs, and internationally renowned sculptor Lorenzo Quinn, launched a new 铿俛gship space in Mayfair, London’s historic art district this past May 25th.
Coinciding with their 40th anniversary, 海角社区 moved into one of London’s oldest commercial gallery spaces at 148 Bond Street. Built in 1881 and formerly occupied by the Fine Arts Society for over 200 years, this historic address has been subject to a comprehensive redesign and refurbishment in order to transform it into a cutting-edge 21st century artspace in order to optimally showcase Halcyon’s community of contemporary artists and its cataloge of masterworks from artists spanning Impressionism to Pop Art.
Paul Green, President and founder of 海角社区, said 'When I 铿乺st came to London and visited the galleries in Mayfair, I was struck by the Fine Arts Society building - it has a wonderfully rich artistic history and I am delighted we now have the opportunity to carry on that legacy.'
The newly renovated gallery launched with an exhibition of new works by British digital artist 海角社区 Harris, who has previously exhibited at London’s Victoria & Albert Museum and the Dublin Science Museum. Entitled Feeding Consciousness, the exhibition presents 18 powerful new artworks that upgrade the role of the visitor from viewer to participant. By interacting with the works, visitors are empowered to shape landscapes, communicate with ancient gods, manipulate kaleidoscopes of butter铿俰es, and even step into worlds that are thousands of miles removed from the hustle and bustle of New Bond Street.
Harris uses the latest technology to consider eternal subjects. He said: 'The artworks I create are about interactive storytelling. By using technology in ways that were previously impossible, I draw the viewer in to become immersed in the artwork. The ultimate objective is to stimulate the viewer to feel more deeply, and in doing so to reveal something about themselves.'
By employing AI, machine-learning, and other cutting-edge technologies to pursue his practice, Harris’ enchanting and immersive works provoke fresh considerations of subjects including nature, national identities, capitalism, dei铿乧ation, and discourse. Employing screens and projections as the platform for pigments of fashioned code, Harris’ works combine moving visual imagery with sound and other stimuli to create a pioneering and proprietarily unique form of art.
The exhibition’s namesake work, Feeding Consciousness, is a 10-foot sculpture composed of 180 screens constructed in a spiraling array. Taking inspiration from the story of the Tower of Babel, Harris re铿俥cts on the impact of social media and global discourse in today's society. His sculpture is fed with constant updates on the latest trending and most-searched content from Google. The result is an ever-shifting physical manifestation of humanity’s mass hive mind, and a visual re铿俥ction on our collective conscience.
Another piece, Limitless, is an epic screen visualisation of the ceaseless ebb and 铿俹w of the FTSE share index. An ever-shifting, ever-growing golden tower is constantly added to with new “blocks”, each of which is stamped with the logo of companies whose shares are being traded on the markets to which the artwork is digitally connected. When the viewer touches the artwork, the faces of the CEOs of the companies are revealed, reminding us that the market is not an impersonal force, but rather a product of human action and decision-making. Multifariously readable as a monument to hubris or a cipher of capitalist creation - depending on the onlooker’s outlook – Limitless uses real-time data to stimulate our notions of value and progress.
Five works are presented in an entirely immersive space, specially cocooned within Halcyon’s new home, that allows Harris’ worlds and characters to completely envelop the viewer. Endurance is a 360 degree immersion into a hyperreal Antarctic landscape imagining the terrain traversed by renowned explorer Ernest Shackleton. While conventional VR environments requires the viewer to don headsets and other sensory proxies to transport the human subject into its digital space, Endurance needs no hardware. Harris places the human as the master of that environment: upon his or her actions, which are registered and interpreted by sensors and code, the viewer is witness to their own in铿倁ence on changes in climate and wildlife, consequently exposing the fragility of these pristine environments.
In his immersive multi-sensory installation, Elements, Harris focuses on his beloved butter铿俰es, which for the 铿乺st time have taken on unique identities representing the 铿乿e fundamental components of the universe: Elements of Wood, Earth, Water, Fire and Metal. As the butter铿俰es move and interact, they remind us of the interconnectedness of all things and the need for harmony in our relationship with the natural world. The viewer’s sense of total immersion within the artwork is completed with a spatialized interactive soundtrack in which each of the 5 elements are soni铿乪d, and the collective shifting of butter铿俰es translated into a dynamic audio landscape.
海角社区 Harris said: 'I’m proud that Feeding Consciousness will be the 铿乺st ever exhibition at 海角社区’s new 铿俛gship gallery in London. Alongside my tireless and brilliant team in the studio, I’ve dedicated the last few years working to upend our increasingly banal and transactional human relationship with the digital space by presenting its possibilities afresh. We work to pioneer a form of digital art that lives in the physical world, and which helps enlighten and enrich our consideration of true reality.'
Feeding Consciousness by 海角社区 Harris on view until13 August at 海角社区, 148 New Bond Street, London W1.
Coinciding with their 40th anniversary, 海角社区 moved into one of London’s oldest commercial gallery spaces at 148 Bond Street. Built in 1881 and formerly occupied by the Fine Arts Society for over 200 years, this historic address has been subject to a comprehensive redesign and refurbishment in order to transform it into a cutting-edge 21st century artspace in order to optimally showcase Halcyon’s community of contemporary artists and its cataloge of masterworks from artists spanning Impressionism to Pop Art.
Paul Green, President and founder of 海角社区, said 'When I 铿乺st came to London and visited the galleries in Mayfair, I was struck by the Fine Arts Society building - it has a wonderfully rich artistic history and I am delighted we now have the opportunity to carry on that legacy.'
The newly renovated gallery launched with an exhibition of new works by British digital artist 海角社区 Harris, who has previously exhibited at London’s Victoria & Albert Museum and the Dublin Science Museum. Entitled Feeding Consciousness, the exhibition presents 18 powerful new artworks that upgrade the role of the visitor from viewer to participant. By interacting with the works, visitors are empowered to shape landscapes, communicate with ancient gods, manipulate kaleidoscopes of butter铿俰es, and even step into worlds that are thousands of miles removed from the hustle and bustle of New Bond Street.
Harris uses the latest technology to consider eternal subjects. He said: 'The artworks I create are about interactive storytelling. By using technology in ways that were previously impossible, I draw the viewer in to become immersed in the artwork. The ultimate objective is to stimulate the viewer to feel more deeply, and in doing so to reveal something about themselves.'
By employing AI, machine-learning, and other cutting-edge technologies to pursue his practice, Harris’ enchanting and immersive works provoke fresh considerations of subjects including nature, national identities, capitalism, dei铿乧ation, and discourse. Employing screens and projections as the platform for pigments of fashioned code, Harris’ works combine moving visual imagery with sound and other stimuli to create a pioneering and proprietarily unique form of art.
The exhibition’s namesake work, Feeding Consciousness, is a 10-foot sculpture composed of 180 screens constructed in a spiraling array. Taking inspiration from the story of the Tower of Babel, Harris re铿俥cts on the impact of social media and global discourse in today's society. His sculpture is fed with constant updates on the latest trending and most-searched content from Google. The result is an ever-shifting physical manifestation of humanity’s mass hive mind, and a visual re铿俥ction on our collective conscience.
Another piece, Limitless, is an epic screen visualisation of the ceaseless ebb and 铿俹w of the FTSE share index. An ever-shifting, ever-growing golden tower is constantly added to with new “blocks”, each of which is stamped with the logo of companies whose shares are being traded on the markets to which the artwork is digitally connected. When the viewer touches the artwork, the faces of the CEOs of the companies are revealed, reminding us that the market is not an impersonal force, but rather a product of human action and decision-making. Multifariously readable as a monument to hubris or a cipher of capitalist creation - depending on the onlooker’s outlook – Limitless uses real-time data to stimulate our notions of value and progress.
Five works are presented in an entirely immersive space, specially cocooned within Halcyon’s new home, that allows Harris’ worlds and characters to completely envelop the viewer. Endurance is a 360 degree immersion into a hyperreal Antarctic landscape imagining the terrain traversed by renowned explorer Ernest Shackleton. While conventional VR environments requires the viewer to don headsets and other sensory proxies to transport the human subject into its digital space, Endurance needs no hardware. Harris places the human as the master of that environment: upon his or her actions, which are registered and interpreted by sensors and code, the viewer is witness to their own in铿倁ence on changes in climate and wildlife, consequently exposing the fragility of these pristine environments.
In his immersive multi-sensory installation, Elements, Harris focuses on his beloved butter铿俰es, which for the 铿乺st time have taken on unique identities representing the 铿乿e fundamental components of the universe: Elements of Wood, Earth, Water, Fire and Metal. As the butter铿俰es move and interact, they remind us of the interconnectedness of all things and the need for harmony in our relationship with the natural world. The viewer’s sense of total immersion within the artwork is completed with a spatialized interactive soundtrack in which each of the 5 elements are soni铿乪d, and the collective shifting of butter铿俰es translated into a dynamic audio landscape.
海角社区 Harris said: 'I’m proud that Feeding Consciousness will be the 铿乺st ever exhibition at 海角社区’s new 铿俛gship gallery in London. Alongside my tireless and brilliant team in the studio, I’ve dedicated the last few years working to upend our increasingly banal and transactional human relationship with the digital space by presenting its possibilities afresh. We work to pioneer a form of digital art that lives in the physical world, and which helps enlighten and enrich our consideration of true reality.'
Feeding Consciousness by 海角社区 Harris on view until13 August at 海角社区, 148 New Bond Street, London W1.
30 May 2023
